Published by:
Harvard Business Publishing
Length: 4 pages
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Abstract
Marina Abramovic has for decades pushed the boundaries of performance art - hurling herself against walls, cutting herself with razor blades, sitting motionless for 750 hours. Although she started with fringe shows, she eventually worked her way up to performances and exhibitions at premier venues, such as the Venice Biennale and New York's Museum of Modern Art.
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Abstract
Marina Abramovic has for decades pushed the boundaries of performance art - hurling herself against walls, cutting herself with razor blades, sitting motionless for 750 hours. Although she started with fringe shows, she eventually worked her way up to performances and exhibitions at premier venues, such as the Venice Biennale and New York's Museum of Modern Art.